Album Review: Bad Meets Evil – Hell: The Sequel
Let’s go ahead and assume you’re familiar with the name Eminem . If you aren’t, you definitely weren’t at Bonnaroo last weekend , and you more than likely stumbled onto this website by mistake, and we thank you for your accidental readership. But if you’ll just hit that little button at the top of your browser that’s shaped like a house, that’ll get you back to where you want to be. Everyone else: “Welcome to the album”, as Shady says on album opener, “Welcome 2 Hell”.
Royce da 5’9” , however, you may not be as familiar with, and that’s sort of how he likes it. Royce is a fellow Detroit rapper, and has maintained a personal and professional relationship with Eminem since the mid to late ’90s, after being introduced to one another through mutual Detroit acquaintance, the late MC Proof. The man’s an underground heavyweight, with five solo albums under his belt, and two with his project Slaughterhouse – a collaboration with fellow underground rappers Joell Ortiz, Joe Budden, and Crooked I. But it wasn’t until very recently that he started gaining limelight attention, mostly due to Eminem’s signing Slaughterhouse to Shady Records back in January.
Em and Royce have pursued very minor collaborations here and there, most notably on the song “Bad Meets Evil” on Eminem’s major label debut, The Slim Shady LP . But Royce was a Detroit underground champ, and Eminem was a budding rap superstar, and they eventually went their separate ways (this was partially due to a falling out between Royce and members of Shady’s own project D12). But after 13 years, the time has come for the old friends to rebuild some burnt bridges and dust off an old project, Bad Meets Evil .
Previous collaborations were built under the blueprint of Royce da 5’9” representing the “bad,” and Em manning the “evil.” It’s a theme they follow on this EP (if you can call a nine track, 40 minute effort an EP), Royce throwing down some majorly angry raps, and Slim doling out his signature blatantly malevolent rhymes for the entirety of the album.
On the whole, it’s an effective strategy. Eminem’s irrefutable star power complements (and sometimes boosts) Royce’s untamed swagger, making for a very winning combination. Two very different worlds collide on this album, and it’s nice to see the two rappers stepping out of their respective comfort zones. Slim Shady’s top 40 pop sensibility and Royce’s “underground only” mindset are both tossed out the window, and the two arrive at a middle ground that’s explosive and exciting. The rap itself is absolutely second to none. Lead single “Fastlane” is hands down one of the best hip-hop tracks of 2011, and the narrative “The Reunion” sets the precedent for the rest of the duo’s antics, and presents it in a captivating way.
You And I Collide Lyrics - News
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The National Dance Institute, a nonprofit organization bringing arts programs to public schools, will present 200 enthusiastic young people in pieces with titles like “The Big Bang,” “Particles Collide” and “Star Dust.” Called “A Sense of Wonder:
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